There has been a significant shift in emphasis and power from Christopher Steadman's earlier pieces to his later projects in development, moving from fixed-point performances to saturated multiple presences and entry points. Steadman's interest in narrative, memory and abstraction lends his work an ability to cross art mediums and transcend categorisation beyond the digital mediums he usually employs. Viewers are able to enter and observe the work in a configured space, while the content instead is often an abstract, fractured, fragmented series of experiences, offered through which the viewer must make meaning.